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Works Exhibited
In order of page and appearance

   
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Credit River, Toronto
[ca. 1910-1930]
29.6 cm x 24 cm
Silver gelatin print
M.O. Hammond Salon Prints, Ontario views and sites, M.O. Hammond Fonds,
Reference Code: F1075-22-1-6, Archives of Ontario

M.O. Hammond at Newton McTavish’s House
[ca.1930]
17.5 cm x 12.4 cm
Silver gelatin print
M.O. Hammond photographs from the Toronto Arts and Letters Club, M.O. Hammond Fonds, Reference Code: F1075-16-0-0-232, Archives of Ontario
    
   
Québec
 
St. Eustache Que. Church Still Bears Marks of Cannon Shot in Battle Here in 1837
[ca. 1920]
17 cm x 12.2 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-61, Archives of Ontario
 
Wolfe’s Cove Quebec
[ca. 1920]
11.5 cm x 8.7 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-25, Archives of Ontario
 
Gaspé Harbour Scene
[ca. 1920]
23.5 cm x 18.8 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-9, Archives of Ontario
 
Madeleine de Verchères Monument, Verchères Que.
1920
12.4 cm x 10 cm
Silver gelatin on glossy paper
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-74, Archives of Ontario
 
A Canadian Joan of Arc
1921
Newsprint: ink on paper
M.O. Hammond printed material and newspaper clippings, M.O. Hammond Fonds, Reference Code: F1075-11, Archives of Ontario
 
Capes Trinity and Eternity, Saguenay River Québec
[ca.1910-1930]
34.5 cm x 25.7 cm
Silver gelatin print
M.O. Hammond Salon Prints, Québec views and sites, M.O. Hammond Fonds,
Reference Code: F1075-22-1-7, Archives of Ontario
 
Two Churches on Dirt Road
[ca.1910-1930]
34.6 cm x 27 cm
Silver gelatin print on platino-bromide paper
M.O. Hammond Salon Prints, Québec views and sites, M.O. Hammond Fonds,
Reference Code: F1075-22-1-7, Archives of Ontario
 
Rural Scene in Québec with Town and Church
[ca.1910-1930]
34.1 cm x 26.5 cm
Silver gelatin print on platino-bromide paper
M.O. Hammond Salon Prints, Québec views and sites, M.O. Hammond Fonds,
Reference Code: F1075-22-1-7, Archives of Ontario
 
Memorial at Île d’Orléans
[ca.1910-1930]
33.4 cm x 26 cm
Silver gelatin print on platino-bromide paper
M.O. Hammond Salon Prints, Québec views and sites, M.O. Hammond Fonds,
Reference Code: F1075-22-1-7, Archives of Ontario
    
   
The Canadian Maritimes
 
St. Paul’s Church, Halifax Nova Scotia
[ca. 1920]
22 cm x 18.8 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-10, Archives of Ontario
 
Louisbourg
[ca. 1920]
21 cm x 15.5 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-23, Archives of Ontario
 
Charlottetown Parliament Building
[ca. 1920]
20 cm x 12.5 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-51, Archives of Ontario
 
Acadian Memorial Park, Grand Pré, Nova Scotia
[ca. 1920]
21.5 cm x 16.5 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-8, Archives of Ontario
 
Pier at Halifax
[ca.1910-1930]
34.3 cm x 26.7 cm
Silver gelatin print with sulphide toning 
M.O. Hammond Salon Prints, Nova Scotia views and sites, M.O. Hammond Fonds,
Reference Code: F1075-22-1-8, Archives of Ontario    
   
Ontario
 
Wintering Site of Galinée and Dollier, 1669-1670, Port Dover, Ont.
1922
12.6 cm x 10.3 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-48, Archives of Ontario
 
Stoney Creek Battlefield, 1875
[ca. 1920]
17.7 cm x 12.6 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-67, Archives of Ontario
 
Parliament Building, 1841 (Kingston as Capitol)
[ca.1920]
17.5 cm x 12.6 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-64, Archives of Ontario
 
Fur Traders Monument, Fort William
1926
25.7 cm x 17.6 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-4, Archives of Ontario
 
Fort St. Joe, North West Corner of Magazine
[ca.1920]
14.5 cm x 9 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-71, Archives of Ontario
 
La Salle’s Landing Place, 1669, On Shores of Burlington Bay, Now Wabasso Park
1922
18 cm x 13 cm
Silver gelatin print
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-43, Archives of Ontario
 
Crowds on Island Beach
[ca. 1910-1930]
29.4 cm x 22.4 cm
Silver gelatin on textured semi-matte paper
M.O. Hammond Salon Prints, Toronto Island, M.O. Hammond Fonds,
Reference Code: F1075-22-1-5, Archives of Ontario
 
Crowds at Island Beach
[ca. 1910-1930]
29.8 cm x 24.9 cm
Silver gelatin print on textured semi-matte paper
M.O. Hammond Salon Prints, Toronto Island, M.O. Hammond Fonds,
Reference Code: F1075-22-1-5, Archives of Ontario
 
Lawn Maintenance at Toronto Island
[ca. 1910-1930]
29.8 cm x 22.4 cm
Silver gelatin print on textured semi-matte paper
M.O. Hammond Salon Prints, Toronto Island, M.O. Hammond Fonds,
Reference Code: F1075-22-1-5, Archives of Ontario
 
Hanlan’s Point – Poplars
[ca. 1910-1930]
34.7 cm x 26 cm
Silver gelatin print
M.O. Hammond Salon Prints, Toronto Island, M.O. Hammond Fonds,
Reference Code: F1075-22-1-5, Archives of Ontario    
   
Prairies and Western Canada
 
Old Kildonan Church Near Winnipeg
[ca. 1920]
17 cm x 12 cm
Silver gelatin print 
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-38, Archives of Ontario
 
Old Fort Garry Gate
1926
17.5 cm x 13 cm
Silver gelatin on glossy paper
M.O. Hammond prints of historic sites and monuments, M.O. Hammond Fonds, Reference Code: F1075-14-0-0-57, Archives of Ontario
 
Herd of Buffalo
1909
16 cm x 6 cm
Silver gelatin print
M.O. Hammond travel albums, M.O. Hammond Fonds, Reference Code: F1075-9-0-11, Archives of Ontario
 
Men and Women Watching Buffalo Roundup
1909
14 cm x 11 cm
Silver gelatin print
M.O. Hammond travel albums, M.O. Hammond Fonds, Reference Code: F1075-9-0-11, Archives of Ontario
 
Cowboys rounding up Buffalo
1909
15 cm x 8 cm
Silver gelatin print
M.O. Hammond travel albums, M.O. Hammond Fonds, Reference Code: F1075-9-0-11, Archives of Ontario
 
Buffalo Roundup – Alberta and Montana
1909
25 cm x 19 cm
Silver gelatin print with sulphide toning M.O. Hammond Salon Prints, People, M.O. Hammond Fonds,
Reference Code: F1075-22-1-2, Archives of Ontario
    
  
Acknowledgements

  
First and foremost, I would like to thank Paul Banks, Andrew Bognar, Miranda (Kayt) Bognar and YuYu Wang for their support and guidance throughout not only this project but through this whole degree. Your words of wisdom and kindness are pillars without which I could not stand. I would like to thank my classmates and the faculty of the FPPCM program at Ryerson University, particularly Don Snyder, who has provided constant reassurance and support. I have grown and learned from all of you, both in and out of the classroom. I would like to extend my great thanks to my first reader Maia-Mari Sutnik for her diligent counsel and support with this thesis and Robert Burley for acting as my second reader. I would also like to thank Vid Ingelevics for his advice and recommendations throughout this process.
I would like to thank The Archives of Ontario for accommodating and encouraging my research. I would specifically like to thank Juanita Rossiter and Dee Psaila for their support and genuine kindness during my residency. Adriane VanSeggelen and Elspeth Jordan thank you for your assistance in photographic identification. To Lare Chapman and James Bowers I would like to say thank you for training me in digitization and assisting me in creating mock-ups for this digital exhibition. I would also like to thank Alison Little, Danielle Manning, Jay Young, Mark Epp and Lindsey Winstone for their assistance in developing this thesis. Finally, I would like to thank Darren Scarfo and Cindy Wiggins for their support, editing, consistent pep-talks and charming presence throughout the process of this thesis project.